I’ve obviously left this a little late, but there has been a lot more to research on this topic than my annotated bibliography had implied. Here’s the first outlines i’ve created to begin the essay i’m turning in on Tuesday/Monday.

Argument Sections:

Introduction Argument:

  • How can we continue to listen to music if it’s only as good as the next gig out of town
  • Classifying music seems like such a tedious job, however when academically reviewing it the knowledge behind the notes and melodies become much more clear.  (Thus the argument of incorrect classification)
  • Why Promote Japanese music when we have our own?

The influence on 70s Glam rock, but how it wasn’t copied or imitated but adapted and rebuilt.

  • 70s Glam Rock: David Bowie, T-Rex/Marc Bolan, KISS

The current problem on incorrect categorization of rock music from japan in recent years.

  • X-Japan’s classification as a form of Death Metal
  • The lack of proper classification for overseas bands, which can make it harder to classify their originality

Fandom and it’s relation to differences in cultural aspects

  • Groupies vs Fangirls
  • Yoshiki vs Hiroshi Lawsuit
  • Perceptions of Rock Idol personalities

Examples of Japanese Rock and Bands within the “Visual Kei” Sphere in question to The Glam Influence

  • Dir En Grey
  • Miyavi
  • X-Japan
  • Luna Sea

The comparison of Marc Bolan and Hideto Matsumoto in requirement to the essay topic

  • Film the Psychommunity Performance
  • 20th Century Boy
  • Knowledge of Marc Bolan from sources
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